|
1¢ Franklin of 1890
Designer: Thomas F. Morris · Vignette: Edward C. Steimle ·
Frame: Douglas S. Ronaldson · Lettering: D. S. Ronaldson |
 |
Year |
Scott |
EDU |
No. Issued* |
Printer |
Design Size |
Colors/Varieties |
Straight-edge Possible |
Purpose |
| 1890 |
219 |
2/27/1890 |
2,206,093,450 |
American |
19 x 22 mm
Note that this issue is often called the "Baby Bank Note" issue due to the smaller size of these Bank Notes. |
dull blue, deep blue, ultramarine; double transfer;
Plate Nos.:
C 11-15; G 36-40;
Q 89-93; BB 145-149;
FF 165-169; UU 240-244 ;
C1 280-284; D1 285-289;
F1 295-299
|
sheets of 400 stamps cut into four panes of 100
all four sides are candidates for a natural straight-edge |
the one-cent stamp paid the rate for domestic third class mail and for drop letters |
|
2¢ Washington of 1890
Designer: Thomas F. Morris · Vignette: Charles Skinner ·
Frame: Douglas S. Ronaldson · Lettering: D. S. Ronaldson |
 |
Year |
Scott |
EDU |
No. Issued* |
Printer |
Design Size |
Colors/Varieties |
Straight-edge Possible |
Purpose |
| 1890 |
219D |
2/22/1890
First Day |
~100 million |
American |
19 x 22 mm |
lake; double
transfer; at least 21 Pl #'s known |
sheets of 200 or
400 stamps cut into
panes of 100
all four sides are
candidates for a
natural straight-edge |
the two-cent stamp paid the rate for domestic first class mail |
| 1890 |
220 |
3/11/1890 |
6,144,819,500 |
American |
19 x 22 mm |
carmine; dark carmine; rose; carmine rose; about 255 Pl #'s known |
| 1892? |
220a cap over left "2" EDU 9/9/1892 |
--- |
American |
19 x 22 mm |
carmine/cap on left
"2";
Plate #'s 235-236; 246-248 |
| 1892? |
220c cap over both 2's EDU 7/7/1892 |
--- |
American |
19 x 22 mm |
carmine/cap on both "2"s; setenant pair 220a & 220c
Plate #'s 245-246 |
|
3¢ Jackson of 1890
Designer: Thomas F. Morris · Vignette: Charles Skinner ·
Frame: Douglas S. Ronaldson · Lettering: D. S. Ronaldson |
 |
Year |
Scott |
EDU |
No. Issued |
Printer |
Design Size |
Color/Varieties |
Straight-edge Possible |
Purpose |
| 1890 |
221 |
2/28/1890 |
46,877,200 |
American |
19 x 22 mm |
purple; bright purple; dark purple;
Plate Nos. 21, 72 |
sheets of 200 cut vertically into panes of 100
only the left and right
sides are candidates for
a natural straight-edge |
the three-cent stamp was used to complete other rates |
|
4¢ Lincoln of 1890
Designer: Thomas F. Morris · Vignette: Alfred Jones ·
Frame: Douglas S. Ronaldson · Lettering: D. S. Ronaldson |
 |
Year |
Scott |
EDU |
No. Issued |
Printer |
Design Size |
Color/Varieties |
Straight-edge Possible |
Purpose |
| 1890 |
222 |
7/16/1890 |
66,759,475 |
American |
19 x 22 mm |
dark brown,
blackish brown;
double transfer
Plate Nos. J 51-55
MM 200-204 |
sheets of 200 cut vertically
into panes of 100
only the left and right
sides are candidates for
a natural straight-edge |
the four-cent stamp paid
double the domestic
rate for first class mail |
|
5¢ Grant of 1890
Designer: Thomas F. Morris · Vignette: Charles Skinner ·
Frame: Douglas S. Ronaldson · Lettering: D. S. Ronaldson |
 |
Year |
Scott |
EDU |
No. Issued |
Printer |
Design Size |
Color/Varieties |
Straight-edge Possible |
Purpose |
| 1890 |
223 |
6/14/1890 |
152,236,530 |
American |
19 x 22 mm |
chocolate,
yellow brown;
double transfer
Plate Nos. I 46-50 |
sheets of 200 cut vertically
into panes of 100
only the left and right
sides are candidates for
a natural straight-edge |
the five-cent stamp paid the foreign rate to most UPU destinations |
|
6¢ Garfield of 1890
Designer: Thomas F. Morris · Vignette: Charles Skinner ·
Frame: Douglas S. Ronaldson · Lettering: D. S. Ronaldson |
 |
Year |
Scott |
EDU |
No. Issued |
Printer |
Design Size |
Color/Varieties |
Straight-edge Possible |
Purpose |
| 1890 |
224 |
5/8/1890 |
9,253,400 |
American |
19 x 22 mm |
brown red,
dark brown red;
Plate No. 23 |
sheets of 200 cut vertically
into panes of 100
only the left and right
sides are candidates for
a natural straight-edge |
the six-cent stamp was a
versatile make-up stamp
for a variety of rates, domestic rates in particular |
|
8¢ Sherman of 1890
Designer: Thomas F. Morris · Vignette: Charles Skinner ·
Frame: Douglas S. Ronaldson · Lettering: D. S. Ronaldson |
 |
Year |
Scott |
EDU |
No. Issued |
Printer |
Design Size |
Color/Varieties |
Straight-edge Possible |
Purpose |
| 1893 |
225 |
5/4/1893 |
12,087,800 |
American |
19 x 22 mm
|
lilac, grayish lilac, magenta;
Plate #'s ZZ 265-269 |
sheets of 200 cut vertically
into panes of 100
only the left and right
sides are candidates for
a natural straight-edge |
the eight-cent stamp paid the registry rate
starting Jan. 1, 1893
|
|
10¢ Webster of 1890
Designer: Thomas F. Morris · Vignette: Charles Skinner ·
Frame: Douglas S. Ronaldson · Lettering: D. S. Ronaldson |
 |
Year |
Scott |
EDU |
No. Issued |
Printer |
Design Size |
Color/Varieties |
Straight-edge Possible |
Purpose |
| 1890 |
226 |
3/5/1890 |
72,746,160 |
American |
19 x 22 mm |
green, bluish green,
dark green;
double transfer;
Plate Nos. E 26-30 |
sheets of 200 cut vertically
into panes of 100
only the left and right
sides are candidates for
a natural straight-edge |
the ten-cent stamp paid the registry rate
until Jan.1, 1893; it also paid double the UPU rate |
|
15¢ Clay of 1890
Designer: Thomas F. Morris · Vignette: Charles Skinner ·
Frame: Douglas S. Ronaldson · Lettering: D. S. Ronaldson |
 |
Year |
Scott |
EDU |
No. Issued |
Printer |
Design Size |
Color/Varieties |
Straight-edge Possible |
Purpose |
| 1890 |
227 |
5/16/1890 |
5,548,710 |
American |
19 x 22 mm |
indigo, deep indigo; double
transfer;
triple transfer
Plate No. 22 |
sheets of 200 cut vertically
into panes of 100
only the left and right
sides are candidates for
a natural straight-edge |
the fifteen-cent stamp was a versatile make-up stamp
for a variety of rates; registered letters and foreign rates in particular |
|
30¢ Jefferson of 1890
Designer: Thomas F. Morris · Vignette: Alfred Jones ·
Frame: Douglas S. Ronaldson · Lettering: D. S. Ronaldson |
 |
Year |
Scott |
EDU |
No. Issued |
Printer |
Design Size |
Color/Varieties |
Straight-edge Possible |
Purpose |
| 1890 |
228 |
4/14/1890 |
1,504,408 |
American |
19 x 22 mm
|
black, full black,
gray black;
Plate No. 24 |
sheets of 200 cut vertically
into panes of 100
only the left and right
sides are candidates for
a natural straight-edge |
the thirty-cent stamp was a versatile make-up stamp
for a variety of rates; small parcels and foreign rates in particular |
|
90¢ Perry of 1890
Designer: Thomas F. Morris · Vignette: Edward G. Steimle ·
Frame: Douglas S. Ronaldson · Lettering: D. S. Ronaldson |
 |
Year |
Scott |
EDU |
No. Issued |
Printer |
Design Size |
Color/Varieties |
Straight-edge Possible |
Purpose |
| 1890 |
229 |
?/16/1890 month unknown, off-cover example next earliest is 2/7/1892 (on cover) |
219,721 |
American |
19 x 22 mm
|
orange, yellow orange, red orange; short transfer at bottom
Plate No. 25 |
sheets of 200 cut vertically
into panes of 100
only the left and right
sides are candidates for
a natural straight-edge |
the ninety-cent stamp was a versatile make-up stamp
for a variety of rates; parcels for both domestic and foreign destinations, in particular
fewer than 100 covers are known |